It's Come To This
This track is the most recent step in my continuing struggle to define "my sound." The goal is to combine the elements I like most from my favorite genres into something new- or at least newish. Specifically, I'm trying to blend:
- The atmosphere and aggression of Drum 'n Bass
- the sub from Dub Step
- the technical attention to detail of IDM, and
- the melodic and harmonic sensibilities of plain old "good music."
I'm also trying to develop an interplay between half-time tempos and more frenetic double-time rhythms, for what it's worth. The result this time falls into the same category as my older track "Process of Illumination," but hopefully takes the ideas in an interesting new direction. Or maybe I completely failed! Either way, there are a lot of things I like (and a few I'm not so sure about, as usual) in this one, and I'd love to hear any feedback or criticism you might have. As long as it's positively glowing, of course ;).
In other news, I submitted a CD of my tracks-up-to-this-point to the licensing company Pump Audio, so we'll see if they think my work is appropriate for the next big Colgate ad or something.
Until next time!
P.S. Most of my songs (but this one in particular) really need decent speakers to be heard properly- there's a lot going on in the sub-100Hz frequencies that smaller speakers just can't reproduce. Just so ya know.
5 comments:
whoa you weren't kidding, there was ridiculously more going on on my headphones at home than these craps at work. this track is intense though, i like it a ton. maybe my favorite so far if i were the sort of person compelled to rank things
Thanks Kyle! You'll soon come to know that I never kid about low frequencies.
Yeah, but what about the high end? I don't hear any supra-22k in there.
Maybe you've just been to one too many rock concerts? ;)
This sort of sounds, or at least it starts out kind of like that song we worked on with the really weird bass.
Hey, have you thought of moving the drums behind the melody a little bit? Like I really like that digital arpeggio bit you have in there, but its way in the back. Its playful. The atmospherics are really good, too. I know you spend a lot of time on the drums, but I don't think that they are the strongest part of the music you've been making.
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